Examination of Womens Friendships through an Analysis of Katherine Phi

Examination of Women's Friendships through an Analysis of Katherine Philips' Friendship's Mystery: To My Dearest Lucasia When readers reflect on the poetry of the seventeenth century, poets such as John Donne and the Metaphysicals, Jonson and the Cavaliers, and John Milton often come to mind. The poetry crosses over various boundaries of Neoplatonic, Ovidian, and Petrarchan forms, for example, often with many references to women filling the lines. Described as helpless creatures, seventeenth century women were often shut out from all possibilities of power, and they were generalized into four categories: virgins, women to be married, married, and widowed. In the state of marriage, women were forced to be the submissive, powerless objects of their husbands. Equality and balance within their marriages were of no concern to men of the seventeenth century. Out of the oppressive setting of the seventeenth century arose very few women poets; however, Katherine Philips not only became a poet, but she also displayed her will to survive by responding to the negativity that surrounded the lives of females, especially the oppression of women in marriages. By focusing on the importance of friendships between women Philips used her poetry, specifically "Friendship's Mystery: To My Dearest Lucasia," as an outlet to critique the misogyny and misrepresentations of marriages put forth by male poets, such as John Donne, and the oppressive social settings of the seventeenth century. In order to better understand Philip's critique of Donne within the lines of her poetry, a reading of twentieth century critic Adrienne Rich's essay "When We Dead Awaken: Writing for Re-Vision" ... ...Company, 2000. Donne, John. "The Canonization." Abrams 1240-1241. Donne, John. "The Relic." Abrams 1253-1254. Donne, John. "The Sun Rising." Abrams 1239. Hageman, Elizabeth H. "The Matchless Orinda: Katherine Philips." Women Writers of the Renaissance Reformation. Georgia, 1987. Mendelson, Sara and Patricia Crawford. Women in Early Modern England 1550-1720. New York: Oxford University Press, 1998. Philips, Katherine. "Friendship's Mystery: To My Dearest Lucasia." Souers, Philips Webster. The Matchless Orinda. London: Oxford University Press, 1931. Rich, Adrienne. "When We Dead Awaken: Writing for Re-vision." On Lies, Secrets, and Silence. New York: W.W. Norton and Company, 1979. 33-49. Wiesner, Merry E. Women and Gender in Early Modern Europe. New York: Cambridge, 1993. Norton Topics Online: www. wwnorton.com/nael Examination of Women's Friendships through an Analysis of Katherine Phi Examination of Women's Friendships through an Analysis of Katherine Philips' Friendship's Mystery: To My Dearest Lucasia When readers reflect on the poetry of the seventeenth century, poets such as John Donne and the Metaphysicals, Jonson and the Cavaliers, and John Milton often come to mind. The poetry crosses over various boundaries of Neoplatonic, Ovidian, and Petrarchan forms, for example, often with many references to women filling the lines. Described as helpless creatures, seventeenth century women were often shut out from all possibilities of power, and they were generalized into four categories: virgins, women to be married, married, and widowed. In the state of marriage, women were forced to be the submissive, powerless objects of their husbands. Equality and balance within their marriages were of no concern to men of the seventeenth century. Out of the oppressive setting of the seventeenth century arose very few women poets; however, Katherine Philips not only became a poet, but she also displayed her will to survive by responding to the negativity that surrounded the lives of females, especially the oppression of women in marriages. By focusing on the importance of friendships between women Philips used her poetry, specifically "Friendship's Mystery: To My Dearest Lucasia," as an outlet to critique the misogyny and misrepresentations of marriages put forth by male poets, such as John Donne, and the oppressive social settings of the seventeenth century. In order to better understand Philip's critique of Donne within the lines of her poetry, a reading of twentieth century critic Adrienne Rich's essay "When We Dead Awaken: Writing for Re-Vision" ... ...Company, 2000. Donne, John. "The Canonization." Abrams 1240-1241. Donne, John. "The Relic." Abrams 1253-1254. Donne, John. "The Sun Rising." Abrams 1239. Hageman, Elizabeth H. "The Matchless Orinda: Katherine Philips." Women Writers of the Renaissance Reformation. Georgia, 1987. Mendelson, Sara and Patricia Crawford. Women in Early Modern England 1550-1720. New York: Oxford University Press, 1998. Philips, Katherine. "Friendship's Mystery: To My Dearest Lucasia." Souers, Philips Webster. The Matchless Orinda. London: Oxford University Press, 1931. Rich, Adrienne. "When We Dead Awaken: Writing for Re-vision." On Lies, Secrets, and Silence. New York: W.W. Norton and Company, 1979. 33-49. Wiesner, Merry E. Women and Gender in Early Modern Europe. New York: Cambridge, 1993. Norton Topics Online: www. wwnorton.com/nael

Scarlet Letter Pearl

Scarlet Letter- pearl Through out the story Pearl was said to be a curse of Hester's adultery but personally I believe she was somewhat of a blessing and a curse. For a child Pearl had amazing intelligence and was able to imagine a multitude of different personas but being as intelligent as she is, is not always a good thing for she knew that she was an outcast and even the imaginary personas she created were not her friends but enemies.The ways in which Pearl was a blessing were for fact that other than Mr. Dimmesdale she was her mother's only companion throughout all the years and the other than Mr. Dimmesdale she could be there all the time not just when they can meet in the forest. Pearl was thought by Hester to be her redemption even if it was too late for herself she wanted the best life for pearl so she would try to do everything for her to Hester, Pearl was the greatest blessing she could have asked for and maybe even more so. he was also a blessing because when Hester and Di mmesdale meet up in the woods she would not acknowledge Hester without the letter on her chest and would not accept a kiss from Dimmesdale because she did not want them hiding in secret any longer and wanted them to come fourth and for them to be a family by asking if they were all going to walk back into town together holding hands. Although Pearl was a blessing she was sort of a curse in more ways than one. She was always hard for Hester to manage throughout the years because she was a very difficult child to manage being her mother's daughter she was strong willed and very hard headed.Also she was look upon as a curse for even after the letter is removed Pearl will be looked upon as the one remaining emblem to remind every one of the sin of how she was created. she is also looked as a curse for her outbreaks of anger when children would lash out with their tongues she would burst into an outrage scaring off her cruel taunters then she would return to normal and be just as happy a s can be. Pearl was believed to be a curse by most because she was the product of sin and often showed signs of which she was of evil origin.Pearl was not purely evil or a curse because what she wanted was pure even if sometimes she went about it wrong, all she really wanted was for Dimmesdale to admit that he is her father and for them to be a happy family. Pearl is drawn to the scarlet letter on Hester's chest because she believes it is not a sign of sin or crime but one to show that it was her love and not to be ashamed of it that Pearl was not a product of sin but a product of love and affection and wear it proudly till she can show all of them that she and Dimmesdale love each other.Pearl was a blessed curse one in which was made on a sin of act but turned to help both Dimmesdale and Hester realize what it was that they wanted. if you look at one of my favorite quotes â€Å"I see now that the circumstances of one's birth are irrelevant; it is what you do   with the gift of l ife that determines who you are. â€Å"-Mew-two from Pokemon: the first movie it relates highly to Pearl because does it really matter how she came in to this world she did something no other could do by bringing out both the truth of who the father was and helped them realize they all wanted to be together as a family, that is why Pearl was a blessed curse.

The Day After - 1301 Words

The Day After (1983) The Day After was an effective way of instilling a sense of both fear and respect for nuclear war into the minds of the American people. By portraying realistic doomsday scenarios that are played out in the lives of relatable families in a small city not unlike any other we would find in America, this film contextualizes the events prior to, during, and immediately after nuclear exchange between the United States and Russia was unleashed onto our own soil. Background Nuts and Bolts The Day After was a film originally envisioned by Brandon Stoddard, president of ABC Motion Picture Division, who wanted to explore the effects of a nuclear exchange on United States soil. The script was written in 1981 by an Edward†¦show more content†¦Nicholas Meyer, director of the film, wanted to make sure the movie was not an overly-dramatized Hollywood disaster film. After spending several months digging through nuclear research and filming realistic scenes portraying the effects of nuclear fallout, Meyer had created this lengthy, four-hour film. Many arguments ensued about what details were to be included versus cut from the final 127-minute broadcast. The casting for this movie was different than most. Instead of hiring as many experienced actors as they can, Hume and Meyer made many trips to Kansas City in hopes they could find â€Å"real† midwesteners to play roles in the movie. The producers hired a local professor of theater and film at the University of Kansas to take the lead in casting people in the Kansas City area. Out of the 80 speaking roles, only 15 of them were cast from Hollywood, with the rest being residents of the local film site in Kansas City and Lawrence. The film was originally going to be four hours long, broadcast over two nights, however Meyer felt the film had dull moments that didn’t contribute to the overall effect. Meyer’s final cut was two hours and twenty minutes, with the condition that it was aired all in one night. Because the producers were having much difficulty finding sponsors for the film (due to the subject matter), they accepted his condition of airing it on one night. Thus began the six-monthShow MoreRelatedThe Analysis of The Day after Tomorrow Essay704 Words   |  3 PagesThe Analysis of The Day after Tomorrow ‘The Day After Tomorrow’ starring Dennis Quaid and Jake Gyllenhaal was the long awaited big money blockbuster from the world renowned director, Roland Emmerich. Emmerich’s previous accomplishments include the hugely popular hits Independence Day and Godzilla. Although immensely successful both films follow a pretty similar basic, bland story line. Essentially both plots are just mass destruction and the eventual defeat of a fictitiousRead MoreThe Day After Tomorrow: Remediating Global Warming Essay2278 Words   |  10 Pagesinvolves the destruction of western civilization. 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